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Tanglewood Music Center

August 3, 2022
Open Workshops pull back the curtain on the pedagogical process, inviting the audience to a behind-the-scenes look at how young artists develop their skills under the guidance of acknowledged experts. Choose from a variety of open workshops, where you'll see distinguished artists coaching the exceptional Fellows of the Tanglewood Music Center (TMC).

Chamber Music Magazine

Summer 2020
Where to Begin:
Conservatories across the U.S. grapple with when and how to reopen

Sarasota Herald-Tribune

December 3, 2019
1312 Credit Lisa-Marie Mazzucco low_res.

Juilliard String Quartet inspires in Sarasota concert

Photo credit Lisa-Marie Mazzucco

WFPL Radio

November 23, 2019

Juilliard String Quartet Back For Its 50th Concert With The Chamber Music Society Of Louisville

Photo credit Lisa-Marie Mazzucco

WCNY Radio

October 3, 2019

"The Juilliard String Quartet is coming back to Syracuse for their 24th appearance with the Syracuse Friends of Chamber Music.  Astrid Schween, cellist with the quartet, spoke to mid-day host Diane Jones about the concert, the long history of the Juilliard String Quartet, and the importance of teaching."

Photo credit Lisa-Marie Mazzucco

JSQ Album Release

Still Going Strong: The Juilliard Quartet Plays Beethoven, Davidovsky, & Bartók
Review by: Jed Distler
Fall 2018
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ASK THE PROS – ‘The Transition from Music Student to Working Professional’
December 20 2017

Strings Magazine

Cellist Astrid Schween on Learning from the Legends
By Laurence Vittes
May 30, 2018

"The Juilliard Quartet cellist brings lessons learned from Jacqueline du Pré and Robert Mann to beloved repertoire."

Strings Magazine

Five Minutes with Astrid Schween

New England Public Radio

October 6, 2015

A more congenial concert than Boston Chamber Music Society 33rd season opener Sunday would be hard to imagine. Not only did it feature the kind of music for which the term “chamber music” seems to have been invented, but it also had the warm, intimate vibe and sonority of old friends gathering for an exquisite evening.

It hardly needs saying that the musicians of the BCMS are of the highest caliber, but their performance Sunday night was truly outstanding. They played together with ease and musicality, making the works as fresh and compelling as when they were first written.

The concert opened with Haydn’s Piano Trio in C Major, Hob. XV: 21 featuring Harumi Rhodes on violin, Astrid Schween on cello, and Max Levinson on piano. Haydn must have been a delight to have as a friend. His work is almost universally cheerful, and this piece was no exception. One should not mistake a friendly surface for lack of complexity, though, for that was equally present in the singing lullaby that was the 2nd movement, molto andante. Schween’s particularly smooth and elegant legato was shown to good effect in this work.

Elisa Birdseye, The Boston Music Intelligencer

September 22, 2015

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